from
THE GREAT PYRAMID
It's Message To The World
Uranda 1936
“In that day there will be an altar to the LORD in the midst of the land of Egypt,
and a pillar at the border of it to the LORD.
And it shall be for a sign and for a witness unto the LORD of Hosts in the land of Egypt.”
Isaiah 19:19-20
In the Great Pyramid of Giza all secrets are made known, and he who understands the mysteries thereof has been initiated by the Master Self within, that he may know all the Laws of Life. In this 'Bible in Stone' man's three-phase nature is revealed, and the Way of Salvation and Ascension is shown. The state of the worldly wise who depend upon riches is made manifest, and the fate of those who turn not to the Lord is made known—for them the Bottomless Pit is prepared, and those who fight against God shall not escape. The Cosmic Laws of Being are sure and certain, and no man can change them.
Let the Blessed Ones give heed to the revelations contained in the Stone Bible of the earth, which scheming men cannot erase or alter for their own selfish benefit. Behold the Bible in Stone, which has stood through these thousands of years, unchanged—An Altar Unto The Lord.
“And Jesus saith unto them, Have ye not read in your scriptures,
The stone which the builders rejected, the same is become the head of the corner.”
Matthew 24-42
The Chart Key Of The Great Pyramid
The numbers above indicate the different components of the Pyramid whose secrets are explained herein and given in the Reference Key. These statements are given, leaving the reader free to determine his or her own understanding of them and to accept or reject the prophecies and dates thereof.
Reference Key For The Pyramid Diagram
1. The Entrance Passage
2. The Choice of The Way
3. The Descending Passage
4. The First Ascending Passage
5. The Dividing of The Way and the Well
6. The Well
7. The Grotto
8. The Chamber of Chaos
9. The Bottomless Pit
10. The Passage To The Queens Chamber
11. The Downward Step in The Passage To The Queens Chamber
12. and 12a are The Unfinished Vents of The Queens Chamber
13. The Queens Chamber
14. The Grand Gallery, the Chamber of Ascension
15. The Great Step
16. The First Low Passage
17. The Antechamber
18. The Last Low Passage
19. and 19a are The Two Air Vents leading to the Kings Chamber
20. The Open Tomb
21. The Kings Chamber
22. The Seven Slabs above the King’s Chamber, 5 Horizontal Slabs and the 2 slabs
in the universal symbol of completion, shown thus: ^ = 7
The Way Of Ascension
Represented In The Symbolism In Stone Within The Pyramid
1. The Entrance Passage that leads to the Choice of the Way. This Entrance Passage is easy in that it takes no effort on the part of the individual in order to pass through it. As the Entrant looks back along the passage he sees the Light of the Pole Star, which symbolizes External Light and Guidance. The Entrant is as yet polarized to External Things. And if he is to turn Upward at the Choice of, or Dividing of the Way, then in order to keep from going Down the Descending Passage, he must begin to attune himself to the Light within through the action of self-confidence and initiative, else he will feel that he is lost, and without any guiding Light when he turns on the Upward Way.
2. Here, at the Choice of the Way, is a great secret. At this point, fitted into the lower end of the First Ascending Passage, is a Granite Plug which completely fills the First Ascending Passage entrance, and it has defied all modern attempts to move it. Since the opening of the Pyramid within the last few hundred years, there was a long time that there was no knowledge of any Ascending Passage. All that could be seen was the Descending Passage that leads to the Chamber of Chaos. Finally a passage was dug through the rock around the Granite Plug so that entrance into the Ascending Passage was gained. This Granite Plug, at the time the Pyramid was used as a Temple of Initiation, could be easily moved by secret means. Those who did not know the Secret could not ascend—they could only go down to the Chamber of Chaos. The Initiate was given a Secret Key, or Hint of the Way, but he himself had to work out the secret and apply it in order to move the Granite Plug and thus begin to ascend on the upward Way. Here is the Secret Key by which thou may remove the Granite Plug that prevents thy Ascension: Turn to the Light that is within thyself, even “the Light which Lighteth every man which cometh into the world,” and in so doing shalt thou find that all that is required by thee is already provided for thee within thyself. So it is that thine own Divine Initiative and Assurance shall allow thy Ascension in the Way. The Power of Love is the only Force which will remove the Granite Plug for thee, so that this “mountain” may be “removed and cast into the sea” of Truth. Peace be unto thee.
3. The Descending Passage. “Broad is the way, and wide is the gate, which leadeth to destruction, and many there be who go in thereat.” This Passage symbolizes the state of the vast majority of the people of the world, for it is the Easy Downward Way.
4. The First Ascending Passage. This is the realm of physical and mental attainment, which is fine as a First Step, but the world has come to look upon it as the Ultimate of Attainment. Herein is the kind of progress and attainment that the world sees and recognizes, but the one who has ascended thus far must not content himself with the Easy Way to the Queen's Chamber. He who has ascended this First Upward Passage finds that “straight is the gate and narrow is the Way which leadeth” past the Well and up the Grand Gallery to “Life Everlasting.” The Choice comes next, either the easy way towards the allure of the Queen’s Chamber at the Dividing of the Way or continued Ascension.
5. The Dividing of the Way, and the Well. The Well is a large, jagged hole that tends to prevent the Ascent into the Grand Gallery. The Well symbolizes fear, hate, and all the other destructive emotions, which may cause the Anomon to descend to the Chamber of Chaos and the Bottomless Pit. The term, Anomon, means Upward One, and it is used throughout to signify the Initiate who has begun ascent on the upward Way.
6. The Well which carries those who fall into it down to the Chamber of Chaos: This is the “Pit” of pride, hate, fear, and all other destructive emotions.
7. The Grotto, which is an enlarged place in the Well. The person who falls into the Well has some slight chance of stopping his downward fall when he reaches the Grotto; yet he finds that it is virtually impossible for him to climb back up through the Well, for it is almost perpendicular, and there is nothing solid to hold to, or climb on in the pit of fear, hate and pride; therefore, the individual must go on down the Well, which has a more gradual descent from this point downward.
8. The Chamber of Chaos, or the Chamber of Upside-Downness. Although the ceiling of the Chamber of Chaos is smooth and well finished, the floor is most uneven and is absolutely Unfinished. In some places the floor comes very nearly within a foot of the ceiling, and those who climb up on-these “hummocks” think they are better and “higher” than those who are further down on the floor, but high or low it is all the Floor of the Chamber of Chaos, proving that the world standard for measuring attainment is all Upside-Down. Few there are who ever work their way out.
9. The Bottomless Pit. In the floor of the Chamber of Chaos is a Bottomless Pit, into which one may very easily fall.
10. The Passage to the Queen's Chamber. Here is pictured the highest possible attainments of the outer man who follows the dictates of his or her own mind. Here is the way to the goal of all wealth, fame and worldly position, and the ends thereof are revealed as death; for there is no progressive passage out of the Queen's Chamber.
11. The Downward Step in the Passage to the Queen's Chamber, showing the “Fall” which is taken by the individual who seeks to find security in external and material things, such as wealth, and the satisfaction of the physical desires on what the world calls a “high plane.”
12. and 12a. The Unfinished Vents of the Queen's Chamber, showing that here are those who depend on the “Letter of the Law, which Killeth.” In this Chamber it is impossible to receive and know the “Spirit which giveth Life.” These two unfinished vents form the “horns” of the “devil.”
13. The Queen's Chamber, from which there is no outlet except by retracing one's steps. He who wastes his time here finds that it is almost impossible to summon enough strength and courage to pass the Well again and ascend the Grand Gallery. This is the Chamber of High Intellectual Attainment and great riches and worldly power. This seems to be the Safe Way to the one who stands at the Dividing of the Ways, but the end thereof is death. “It is easier for a camel to pass through the Gate of the Needle's Eye, than for a rich man to enter the Kingdom of Heaven.”
14. The Grand Gallery, the Chamber of Internal Light, or the Chamber of the Ascension. The primary process of Ascension must take place herein before the final step of Ascension may be attained. The final step is all the average person thinks of as Ascension. The Seven Corbelled, or In-steps forming the wall of the Grand Gallery symbolize the Seven Planes, and show the degree to which the Anomon can perceive the presence of the Seven Planes. As the Anomon ascends through the Grand Gallery, the Ceiling of the Gallery farther down is at a level with his eye, and he can see it—that is, the Seventh Plane, to the degree that he functions in the Inner Light which alone can penetrate the darkness of the Grand Gallery.
15. The Great Step. This Step is three feet high, representing the Three Phases of human Life, and taking the Great Step means to uplift the whole life expression into Fourth Plane of Being. This Jesus did in the Garden of Gethsemane. He had taken the Great Step when He said, “Thy will, not mine be done.”
16. The First Low Passage, which symbolizes the Crucifixion, that is, the Crossing by which a complete blending, or Union, of the outer and the inner is attained.
17. The Antechamber, representing the Medulla Oblongata at the base of the brain, in which the Christ Principle prepares the Anomon (Initiate) for passage through the Abyss of Nothingness after the Crucifixion has taken place. This is symbolized in the Life of Jesus by the period of time He remained on the Cross—before He was placed in the Tomb which proved to be Open.
18. The Last Low Passage, which symbolizes the Abyss of Nothingness. He who has passed through the Abyss of Nothingness in his own life has nothing to fear from the world, or the world passage through this Abyss. Behold, the whole world is now passing through the Abyss of nothingness, and it will emerge there from on September 16, 1936. After this date, the inch-month basis of time measurement in the Pyramid will change to the inch-week basis. During this period all who turn fully to the Father shall know and experience the Mysteries of the Open Tomb.
19. And 19a are the Two Air Vents Leading to the King's Chamber. Air symbolizes Spirit; therefore, the Anomon is “bathed” in an abundance of Spirit for the first time after his entrance into the Temple of Initiation. The two vents represent the perfect harmony of union between the Positive and Negative phases of Spirit which the Anomon experiences on entering into the King’s Chamber. In other words, the physical substance which enters into the body (the Temple) from the outer world (as food), and responds to the Christ in Ascension, does not reach a point of complete freedom from the influence of physical things, and does not see with the perfect vision of the Father, until it enters the King's Chamber, where it comes under the full unhindered influence of the Spirit.
20. The Open Tomb, or Sarcophagus, in the King's Chamber. The Open Sarcophagus symbolizes the Spiritualization process that takes place during Ascension. Here is the secret of the Way in which death is overcome, for he who enters in shall never more be subject to birth or death. The whole world will reach the center of the Open Tomb, directly under the Symbol of Completion (^).
21. The King's Chamber, sometimes called the Chamber of The Open Tomb—the Secret Place of the Most High, the Throne of the Almighty, the Realm of Final Attainment, corresponding to the Pineal Gland. This is that which is spoken of as “Heaven”, even the consciousness of the Father within, in which we may dwell here on earth. He who enters herein is free from all attachment to material things, and all unresponsive physical things are removed from him, that he may abide in the Truth of his own God Being.
22. The Seven Slabs of Stone above the King's Chamber, with the two top stones forming the symbol of Completion over the five horizontal slabs, represent Mastery of the Five Senses of Perception, as they relate to the Seven Planes of Being. In this is the final secret of Ascension, and the Way thereof for he who harmonizes completely with the Father Within knows the Union of the Inner and the Outer in the fullness of Completion, through the activity of the Five.
The Time Measurement
The Great Pyramid itself shows why the inch week basis is in effect in the King's Chamber, and it stands as its own authority. No man can add anything thereto; or take anything there from. It is the Truth revealed for all who have eyes to see.
The Seven Slabs above the King's Chamber show that the full release into Seven Plane Being is experienced by all who enter therein, whether from an individual or a world standpoint. All that is truly of the King, or God Being within each individual must by the very Nature of that Being have unhindered action and reaction in all Seven Planes.
It is evident to all Spiritually Directed Students that the whole world will enter the King's Chamber this coming September. In the Last Low Passage, where the world now is, the inch-month basis of time measurement shows how it is that these experiences relate to the three phases of the outer man (30 days in a month), and that man can only be directly conscious of the first four Planes of Being (4 weeks in a month). When entrance is made into the King's Chamber, the time measurement must correspond to the Seven, which dominates the King's Chamber, and the only possible and available cycle, which meets these requirements, is the week, in which there are seven days. It may be argued that a change might occur in the unit of measurement, namely, the inch. However, it is at least logical to consider the fact that a world-recognized unit would be used so long as the world as it is now known was, and is, involved, and a fraction of a unit would hardly be satisfactory.
The two top slabs form the symbol of Completion. The Open Tomb symbolizes release from death, and the limiting evils of the outer world. One hundred eight inches (which adds to nine, and is another symbol of Completion), takes one from the entrance to the King’s Chamber to the Center of the Open Tomb, directly under the apex of the symbol of Completion formed by the two top Slabs.
Conditions will continue to get worse, as the world continues through the Abyss of Nothingness, and in that time all the things and activities of the outer man will be proven to be nothing. At that time the great explosion will take place, and the destruction of evil by evil will continue, till it will be complete. World turmoil will necessitate our working under entirely different conditions. This Service is heralding the coming changes amid the full release into Spiritual Expression; therefore, the Water Symbol of the past Age is no longer held as necessary, although it is allowed, and administered, where individuals feel the need thereof. With the Voice of this Service sounding the Call in the Abyss of Nothingness, a new Realization is established—that which goes beyond the use of Symbol to the Actualized Expression in spirit here and now.
The Cosmic Call Of The Pyramid
To the Blessed One (Blessed because of his love and trust in God) the Great Pyramid stands as a symbol of the Sacred Trumpet through which the Cosmic Call to Union in God is Sounding. Even as the Pyramid stands upon its foursquare base, and ascends upward to an Invisible Point, where all four sides blend into perfect oneness, so is it required that the four phases of Being, which are the sure Foundation of man's Life, are now to be lifted up through the Christ into perfect Union in God.
As the Pyramid has no Visible Capstone, so it is that the fleshly eye of man cannot see the Capstone of his own Being. The Blessed One is aware that the God Being within himself—whom he knows was represented as Jesus Christ—is his Capstone, the Stone that the people of the world have rejected. With the Voice of the Spirit sounding the Call to Union with Christ in the Abyss of Nothingness, all who have “eyes to see, and ears to hear” are awakening to the Truth that “man, of himself, can do nothing,” but that in perfect Oneness with God “All things are possible.” Even as Love is a realization of the sense of Oneness with the one loved, so it is that all who truly love God have a realization of the sense of Oneness with God.
In Our Image, after Our Likeness, for As above, So below. So it is that the Blessed One knows that the physically visible part of himself is not his whole and complete Being. Let us, with one accord, in one vibration of Being, turn to the Lord within, our invisible Capstone, that we may receive and know the outpouring of the Holy Spirit. That which pours out must come from within. It is only as we, individually and collectively, let the Spirit of God pour out through us in Selfless Service of Love to our fellow man, that we will be able to accomplish our mission and purpose in the earth.
Even as the Inner physical expressions of Truth in the Pyramid are invisible to the world, so likewise the world knows nothing of the Invisible Capstone. Let us, with one accord, prove the Truth which we profess by allowing the Radiance of the Christ within us to make manifest our Oneness in God, that through us the Secret of the Invisible Capstone may be revealed to the world. Praise the Lord and let it be so.
© emissaries of divine light
expressing great thanksgiving to Gary Courtland Miles for his careful work on this piece
